HERITAGE IN FOCUS
This initiative is hosted by the Goethe-Institut Athens in partnership with the Humboldt Forum.
HERITAGE IN FOCUS #1
-
Johannes Blume
Johannes Blume was born in Berlin. He dropped out of school and spent several years working as a bartender in one of the city's smaller theatres. He gained practical experience as a production assistant and assistant director on various films. He frequently created shorts and experimental works, and undertook film commissions for cultural and socio-ecological companies and projects. In 2013, he shifted his focus from practical work to academics: he completed his school-leaving exam (Abitur) and studied philosophy and film studies at Freie Universität Berlin. Since graduating in 2019, he has worked as a director and writer. His medium-length documentary "Strawalde" (60 min.) received positive reviews. He produced his first feature-length documentary "Berlin Utopiekadaver" (95 min.) in collaboration with Filmgalerie 451 for ZDF’s "Das kleine Fernsehspiel," and won the Max Ophüls Prize for Best Music in a Documentary.
-
Sofia Dona
Sofia Dona is an artist and architect whose work bridges the gap between architecture and art, addressing social, economic, and political issues through an interdisciplinary, site-specific approach. Whether she focuses on the border region between Mexico and the US, various eviction strategies, or historically symbolic architectural elements of power, Dona creates installations and video works that challenge conventional perceptions of everyday life. Her works shed new light on situations and narratives, offering a fresh perspective that uncovers hidden, forgotten, or unnoticed elements. A key aspect of her artistic practice is the creation of a defamiliarizing effect, resulting in works that are both revealing and poetic. By constructing a replica of a border mountain range out of sand, extending a balcony, moving a streetlight, or enlarging a doorway, she transforms familiar objects into unexpected narrative elements. Through processes of defamiliarization, estrangement, and ostranenie, these transformed artifacts reveal stories and meanings, evoke memories, and heighten awareness through the extraordinary ordinariness of simulation.
-
Maria Komninos
Maria Komninos is an Emerita Professor at the National and Kapodistrian University of Athens and President of the Board of Directors of the Greek Film Archive. She has conducted research and taught in both Athens and London, serving as an honorary research fellow at the Department of History of Art, Birkbeck College. Currently, she teaches in the postgraduate program "Film and Cultural Studies" offered by the Media and Communication Department of the National and Kapodistrian University of Athens. As the Artistic Director of the Athens Avant-Garde Film Festival, which is preparing for its 13th edition in December 2024, she is also responsible for the new laboratory for Digitisation and Restoration at the Greek Film Archive. Komninos has authored several books and articles in both Greek and English.
-
Linda Paganelli
Linda Paganelli is an Italian visual anthropologist, artist, and filmmaker who has been based in Berlin since 2017. Her work employs a sensorial and inclusive approach, combined with an anthropological, decolonial, and queer-feminist perspective. She explores themes such as migration and belonging, mass violence, memory culture, realities of post-conflict zones, eco-grief, and the relationship between humans and other species. Paganelli collaborates with museums, galleries, universities, educational institutions, and NGOs. She also co-manages the Berlin Independent Film Community.
-
Peggy Ringa
Born and raised in Athens, Peggy Ringa studied Archaeology and History of Art at the University of Athens and earned two Master's degrees in Egyptology and Classical Archaeology from the University of London. For nearly a decade, she worked as a contract archaeologist in various parts of Attica. After her father's death in 2013, she took over the family business, which includes four movie theatres: "Aavora" and the open-air cinemas "Athens", "Riviera", and "Vox". Despite participating in only one excavation since then, she still considers herself more of an archaeologist than a businesswoman.
-
Marcel Weber
Marcel Weber, the first chairperson of the Board of Clubcommission Berlin, is an experienced architect of change and a certified systemic business coach, specializing in shaping sustainable and diverse organizational cultures. Since 2022, he has served as Chairman of the Board of Clubcommission Berlin and was Managing Director of SchwuZ Queer Club until August 2024. With over two decades of experience in nightlife, Weber began his professional career by training as an office communications clerk. After holding various positions within and outside the SchwuZ cosmos, he was appointed Managing Director of this queer institution in 2012. Weber is passionate about advocating for the recognition of queer lifestyles, gender equality, and the sustainable development of club culture. His commitment spans social, ecological, and economic aspects. In his free time, he occasionally works as a DJ and has a great passion for house music and disco.
-
Cathryn Drake
Cathryn Drake is a writer and art critic who has contributed features and reviews on contemporary art, design, and places to publications such as Artforum, e-flux Criticism, frieze, Metropolis, Men’s Vogue, Time, and the Wall Street Journal. She has written about the role of art in the public sphere, urban development coupled with historic preservation, and the culture and architecture of communal bathing from antiquity to the present. Drake curated "The Presence of Absence, or the Catastrophe Theory," which was shown at Izolyatsia in Kyiv and NiMAC in Nicosia. This exhibition explored themes such as landscape and memory, amnesia and nationalism, identity and resistance, fragmentation and displacement, alienation, and longing for places that may no longer exist, through the work of artists from Albania, Turkey, Cyprus, and Greece. Formerly the copy chief of the design magazine Metropolis and an editor at the Museum of Modern Art, she now edits publications for the Yale School of Architecture. Previously, she served as the publicity director for the Ann Arbor Film Festival and managed production for two feature film shoots in New York: the Swiss murder mystery "Morocco" and the Russian-American film "Beyond the Ocean." After earning a degree in political science and creative writing, she worked for several years as a legislative assistant to U.S. Congressman Timothy Wirth in Washington, D.C.
-
DJ Irakli
Originally from Georgia, Irakli Kiziria settled early in the German capital, where he developed a unique facet of the local scene and transformed it into an international phenomenon. In 2013, he founded STAUB, one of Berlin’s most renowned techno parties. As part of the production duo I/Y, he has been releasing music under the co-founded label. However, Irakli's true mastery lies behind the decks at Berlin’s iconic underground venues such as Tresor, Berghain, and Griessmuehle, spreading his vision of electronic music across Europe and the Americas. In 2017, he established the Intergalactic Research Institute for Sound, collaborating with artists like Stanislav Tolkachev, Natalie Beridze, Rezo Glonti, and many others. Irakli also leads a thriving network that explores ambient concepts inspired by the tones and colors of his homeland, Georgia. By incorporating orchestral collaborations and sound installations into his work beyond the club scene, Irakli’s expanding platforms and deep connection to Berlin have allowed him to venture into the more abstract, experimental realms of techno. With new projects and a diverse creative repertoire, Irakli’s DJ sets, labels, and parties consistently showcase unique qualities. Whether he is delving into beatless soundscapes or high-energy techno music, Irakli always manages to create something special.
-
DJ Ablaze Meursault
Katerina P. Trichia, also known as DJ Ablaze Meursault, holds a BA in Theatre from the University of Peloponnese and an MA in Culture and Film from the National and Kapodistrian University of Athens. Her thesis, titled “DIY Record Labels in Greece during the 90s: A chronicle and a study of their activity,” delves into the vibrant independent music scene of that era. Her artistic endeavors span a diverse array of media, including music (Filament Zine), film curation (Boiling Films, Drama International Short Film Festival, Opening Nights - AIFF, Ios Festival, Syros International Film Festival), and photography through Studio Trichia.
The second part of the "Heritage in Focus" series on February 6th focused on aspects of urban heritage. Both in Athens and Berlin, the handling of urban architectural heritage was intensely debated. In Berlin, the reconstruction of the Berlin City Palace as the "Humboldt Forum" sparked discussions about regressive architectural forms and the handling of German history. In Athens, the debates about the Polykatoikia – modernist apartment blocks from the 1930s to the 1970s – reflected the strong interest in the architectural heritage of modernism and its socio-political implications for the city.
-
Anh-Linh Ngo
Anh-Linh Ngo (b. 1974) is a distinguished architectural journalist, curator, and editor-in-chief of ARCH+. He frequently curates exhibitions and research projects with ARCH+, including projekt bauhaus (2015–2019), Cohabitation (2021), and The Great Repair (2023/24). From 2010 to 2016, he served on the art advisory board of the Institut für Auslandsbeziehungen (ifa), where he developed and co-curated touring exhibitions such as An Atlas of Commoning (2018) and Post-Oil City (2009). Currently, he is a trustee for the IBA 2027 Stuttgart Metropolitan Region and the Akademie Schloss Solitude, and he sits on the advisory board of the Goethe-Institut. In 2023, he co-curated the German Pavilion at the 18th Venice Architecture Biennale. Ngo has been a member of the Academy of the Arts Berlin since 2021 and has become its vice president in May 2024.
-
Christina Vavia
Christina Varvia is currently a Research Fellow and was formerly the Deputy Director of Forensic Architecture. Trained as an architect, she taught at the Architectural Association from 2018 to 2020. In 2018, she served on the Technology Advisory Board for the International Criminal Court and was a research fellow at the Louisiana Museum of Modern Art from 2020 to 2023. Varvia lectures at the Centre for Research Architecture at Goldsmiths, University of London, and is pursuing her PhD at Aarhus University, focusing on feminist and neomaterialist concepts of the human body in investigative practice. She is a founding member and chair of the board of Forensis, a Berlin-based association established by Forensic Architecture, and co-founder and co-director of the Forensic Architecture Initiative Athens (FAIĀ). Her work on airstrikes, detention, right-wing politics, police, and border violence has been presented in courts and other political forums, exhibited, and awarded internationally.
-
Iris Lykourioti
Iris Lykourioti is an Associate Professor at the Department of Architecture, University of Thessaly, Greece. She has edited books, published articles, and exhibited architectural projects and research both nationally and internationally. Her current academic interests focus on the political dimensions that shape the design and production of material objects and spaces (Technogeographies), utilizing theoretical frameworks such as feminist theory and Epistemologies of the South. She is a founding member of A Whale’s architects and the Centre for New Media and Feminist Public Practices.
-
Polina Prentou
Polina Prentou is an architect, MSc Urban Planner (NTUA), and PhD candidate at the School of Architecture NTUA, focusing on gendered approaches to urban social movements for open spaces in Athens. She is a research associate at the Urban Environment Lab NTUA, contributing to projects such as the Hellinikon Metropolitan Park, the regeneration of Lipasmata Drapetsonas, and the refugee neighborhoods in the Piraeus area. Her research interests blend gendered approaches to urban planning with the social and environmental impacts of large-scale urban projects.
-
Despina Zefkili
Despina Zefkili is an art critic, editor-in-chief of Athinorama magazine, and a member of the Temporary Academy of Arts collective (PAT). She is deeply interested in critically understanding art and its structures within a broader sociopolitical context, as well as exploring its educational aspects. Zefkili has published articles on the Athens art scene in various books and magazines, including On One Side of the Same Water (Hatje Cantz), The Way between Prishtina and Belgrade… (Stacion Center), Art Papers, Third Text, Ocula, Field Journal, Art Review, Frieze, artnet, Flash Art, Art Info, Camera Austria, South Magazine, and [φρμκ]. She has co-curated exhibitions, projects, and publications such as Joyful Militancy Live, Waste/d Pavilion, Agreement Without Principles: Towards a History of Contemporary Greek Art, the 4th Athens Biennale: AGORA (“The Non-Serious Lectures”), Archaeology of Today?, and Local Folk fanzine. For the past ten years, she has curated the art exhibition of the “Routes in Marpissa” festival on the island of Paros.
-
Heinz Emigholz
Born in 1948 near Bremen, Germany, Heinz Emigholz initially trained as a draughtsman before studying philosophy and literature in Hamburg. He began his filmmaking career in 1968 and has worked as a filmmaker, artist, writer, and producer in Germany and the USA since 1973. Emigholz has been involved in numerous exhibitions, retrospectives, lectures, and publications. In 1974, he started his encyclopaedic drawing series, "The Basis of Make-Up," and in 1984, he launched his film series "Photography and Beyond." From 1993 to 2013, he held a professorship in experimental filmmaking at the Universität der Künste Berlin, where he co-founded the Institute for Time-based Media and the "Art and Media" program. Since 2003, Filmgalerie 451 has been releasing editions of his films on DVD. His notable publications include "Krieg der Augen, Kreuz der Sinne" (War of Eyes, Cross of Senses), "Seit Freud gesagt hat, der Künstler heile seine Neurose selbst, heilen die Künstler ihre Neurosen selbst" (Since Freud said that the artist heals his neuroses himself, artists have been healing their neuroses themselves), "Normalsatz – Siebzehn Filme" (Ordinary Sentence – Seventeen Films), and "Das schwarze Schamquadrat" (The Black Square of Shame), all published by Martin Schmitz Verlag. Other works include "Die Basis des Make-Up" (I, II, and III), "Der Begnadete Meier" (Grace Jones), "Kleine Enzyklopädie der Photographie" (Small Encyclopaedia of Photography), and "Sense of Architecture," featuring over 600 photographs. Heinz Emigholz has been a member of the Academy of the Arts Berlin since 2013.
-
Kostadis Michail
Kostadis Michail is a sound artist, self-taught multi-instrumentalist, and sound engineer based in Athens. Performing under the name Kostadis, he crafts DJ sets that feature a dynamic mix of electronic motorik workouts and expansive tracks.
-
Minou Oram
Berlin-based DJ and producer Minou Oram seamlessly blends decades and styles of music, effortlessly moving between meditative serenity and electrifying intensity to evoke catharsis through sound. Her expansive sets draw from a rich tapestry of influences, including psychedelic electronica, cosmic and exotic timbres, industrial post-disco, percussive breaks, sensual IDM, alienated pop, and personal field recordings. From 2016 to 2020, she championed gender diversity in electronic music through the “FEMDEX” project. In 2022, she joined “Cereals,” a collaborative platform for music, art, and design. She holds radio residencies with LYL Radio (Lyon/Paris) and THF Radio (Berlin).